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One of the biggest draws to anamorphic lenses seem are the flares they produce. When running our flare tests, we turned off most of the lights in the studio so the flares could stand out as much as possible. We used an LED flashlight on its lowest setting at about 10 feet away from the camera. We made sure to hit the lenses from all four corners and in the center since the lenses react differently depending on the angle of the light source and where it is in the frame.